Founding Brothers: The Revolutionary Generation
Author: Joseph J Ellis
An illuminating study of the intertwined lives of the founders of the American republic--John Adams, Aaron Burr, Benjamin Franklin, Alexander Hamilton, Thomas Jefferson, James Madison, and George Washington.
During the 1790s, which Ellis calls the most decisive decade in our nation's history, the greatest statesmen of their generation--and perhaps any--came together to define the new republic and direct its course for the coming centuries. Ellis focuses on six discrete moments that exemplify the most crucial issues facing the fragile new nation: Burr and Hamilton's deadly duel, and what may have really happened; Hamilton, Jefferson, and Madison's secret dinner, during which the seat of the permanent capital was determined in exchange for passage of Hamilton's financial plan; Franklin's petition to end the "peculiar institution" of slavery--his last public act--and Madison's efforts to quash it; Washington's precedent-setting Farewell Address, announcing his retirement from public office and offering his country some final advice; Adams's difficult term as Washington's successor and his alleged scheme to pass the presidency on to his son; and finally, Adams and Jefferson's renewed correspondence at the end of their lives, in which they compared their different views of the Revolution and its legacy.
In a lively and engaging narrative, Ellis recounts the sometimes collaborative, sometimes archly antagonistic interactions between these men, and shows us the private characters behind the public personas: Adams, the ever-combative iconoclast, whose closest political collaborator was his wife, Abigail; Burr, crafty, smooth, and one of the most despisedpublic figures of his time; Hamilton, whose audacious manner and deep economic savvy masked his humble origins; Jefferson, renowned for his eloquence, but so reclusive and taciturn that he rarely spoke more than a few sentences in public; Madison, small, sickly, and paralyzingly shy, yet one of the most effective debaters of his generation; and the stiffly formal Washington, the ultimate realist, larger-than-life, and America's only truly indispensable figure.
Ellis argues that the checks and balances that permitted the infant American republic to endure were not primarily legal, constitutional, or institutional, but intensely personal, rooted in the dynamic interaction of leaders with quite different visions and values. Revisiting the old-fashioned idea that character matters, Founding Brothers informs our understanding of American politics--then and now--and gives us a new perspective on the unpredictable forces that shape history.
Library Journal
Ellis holds the Ford Foundation Chair in American History at Mount Holyoke College and is the author of American Sphinx, a National Book Award-winning study of Thomas Jefferson. His new book contains six chapters on unconnected events in the formation of the American republic, featuring Aaron Burr, Alexander Hamilton, Thomas Jefferson, John Adams, Benjamin Franklin, James Madison, and George Washington as principal characters. Ellis is deeply steeped in the literature, and his style is crisp and full of subtle ironies. He brings fresh insights into such well-worn topics as the Hamilton-Burr duel and Jefferson's feelings about slavery. If there is a central theme that runs through the chapters, it concerns the fragility of the early years of the republic. Ellis calls the 1790s one long shouting match between those, like Hamilton, who championed the power of the central government and those, like Jefferson, who defended the rights of states and individuals. The question of slavery was so explosive that most Founding Fathers avoided discussing it at all. Ellis clearly admires the irascible John Adams. Perhaps surprisingly from the author of American Sphinx, however, the Founding Father who comes off least well here is Jefferson himself. Highly recommended for all academic and large public libraries. [Previewed in Prepub Alert, LJ 6/1/00.]--T.J. Schaeper, St. Bonaventure Univ., NY Copyright 2000 Cahners Business Information.
New York Times Book Review - Michiko Kakutan
... as the historian Joseph J. Ellis points out in his compelling new book, the achievement of the American Revolution was considerably more improbable at the time....a lively and illuminating, if somewhat arbitrary book that leaves the reader with a visceral sense of a formative era in American life.
New York Times Book Review - Benson Bobrick
A splendid book -- humane, learned, written with flair and radiant with a calm intelligence and wit. Even those familiar with 'the Revolutionary generation' will [find much] to captivate and enlarge their understanding of our nation's fledgling years.
Table of Contents:
| Acknowledgments | ix |
| Preface: The Generation | 3 |
| Chapter 1 | The Duel | 20 |
| Chapter 2 | The Dinner | 48 |
| Chapter 3 | The Silence | 81 |
| Chapter 4 | The Farewell | 120 |
| Chapter 5 | The Collaborators | 162 |
| Chapter 6 | The Friendship | 206 |
| Notes | 249 |
| Index | 279 |
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Imperial Leather: Race, Gender, and Sexuality in the Colonial Conquest
Author: Anne McClintock
Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.
Anne McClintock explores the sexualizing of the terra incognita, the imperial myth of the empty lands, the dirt fetish and the "civilizing mission", sexuality and labor, advertising and commodity racism, the Victorian invention of the idle woman, feminism and racial difference, and anti-apartheid culture in the current transformation of national power.
Using feminist, post-colonial, psychoanalytic and socialist theories, Imperial Leather argues that the categories of gender, race and class do not exist in isolation, but emerge in intimate relation to one another. Drawing on diverse cultural forms--novels, advertising, diaries, poetry oral history, and mass commodity spectacle--the book examines imperialism not only as a poetics of ambivalence, but as a politics of violence. Rejecting traditional binaries of self/other, man/woman, colonizer/colonized, Anne McClintock calls instead for a more informed and complex understanding of catgories of social power and identity.
Library Journal
McClintock (English, Columbia Univ.) interprets 19th-century British imperialism as the focal point for that era's major "disclosures," including feminism, Marxism, and psychoanalysis. She describes Victorian urban spaceincluding advertisingas being oriented to exhibit imperial spectacle based on racism and sexism. In turn, the colonies become stages for exhibiting a reinvented patriarchy, with Westerners symbolizing power and indigenous peoples a subdued domesticity. The text is an exercise in demonstrating preconceptions. While some of McClintock's evidence is original, the argument as a whole is conventional bien-pensant wisdom unlikely to convince anyone not already committed to the thesis. The presentation is further burdened by its reliance on the clichs and jargon of feminism, deconstructionism, and other currently fashionable academic ideologies. Imperialism was at once a simpler and a more complex phenomenon than McClintock's perspective allows. For large academic collections only.D.E. Showalter, Colorado Coll., Colorado Springs
